Archives for the month of: December, 2004

Yurie Nagashima - from: Candy Horror

Over ten years ago when Yurie Nagashima won at age 20 the Urban Art#2 Award (1993) she became almost overnight the first “girly photographer” (onna no ko shashinka) in Japan. She and Hiromix who entered the scene in 1995 became role models for many young Japanese women and inspired them to become a photographer too. Since then the number of female photographers at photography schools increased considerably to around 50%. Both, Yurie Nagashima and Hiromix, talked about themselves and their lives through their pictures, but IMHO Nagashima was and is much more personal in her work not only depicting her friends but also the daily life of her family (including nude photographs of her father and mother).

Nagashima’s and Hiromix’ career took very different ways since the mid 1990s. While Hiromix became a star who concentrated on her commercial work with famous Japanese actors, actresses and pop stars, Nagashima left Japan to study photography in the US. After her return to Japan she published in 2000 her book “Pastime Paradise” which gives an overview about her work. Now four years later she exhibits her recents work “Candy Horror” at gallery Scai the Bathhouse and “not six” at Nadiff Gallery. Additionally her new book “not six” is published this month – it’s already on my wish list :-).

Yurie Nagashima - from: Candy Horror

Kimura Ihei: Young Men, Niida, Akita City, 1952

Only a few days are left for the exhibition of Kimura Ihei (Ihee) at the National Museum of Modern Art, Tokyo. The exhibition concentrates on Ihei’s work after 1945.
Kimura Ihei was one of the leading Japanese photographers of the 20s century. He was a master of ‘street photography’ and using a small Leica since 1930 he became famous for his “snapshot spontaneity”. In 1932 he was cofounder of the legendary avant-garde photo magazine KÔGA. Ihei captured the life in the streets of Tokyo and especially Akita prefecture. Another important body of work is his stage photography and portraits of famous artists. In the 1950s Ihei travelled to Europe. His series “Paris” could be seen during this years Rencontres de la photographie in Arles/France

Kimura Ihei, Paris 1954-55 (exhibited in Arles)
The use of a colour film for street photography was quite uncommon during that time.

Bear