Jean Snow pointed me in his blog to the recent publication by Naoki Honjo “Small Planet” (Tokyo 2006).
Containers, urban buildings, express highways, Tokyo station, parks and people, of which Honjo’s works are consisted. Photographing cities from high places, it would be only colors rather than details of subjects that appeal to people’s eyes. It is like a magic transforming organic view of “created world” into inorganic “fictional world”, like a diorama exquisite yet cheaply made. The strange sense to feel real scenery as fabrication through downward view is the sense of distance of artist’s expression who has seen cities as alien space. A feeling of strangeness as if looking in the border between fiction and reality attracts audiences. A long-awaited debut photo book of the artist is now on sale.
[quote: Little More]
In another comment Jean Snow wrote about the “tilt shift lens photography (or imitation thereof) madness” and I think that he is right with his observation that several photographers from the younger generation are using this technique.
Another photographer who is using the same technique and who comes to my mind immediately is the German photographer Marc Raeder with his Scanscape series. Raeder’s work is IMHO a perfect example of this kind of land-/cityscape photography, which is constantly oscillating between the factual desription of real places and producing the impression of an miniature landscape we know from toy-train landscapes…