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Archive for August, 2006

Tomoko Sawada: Early Works

While I wrote my last post about Tomoko Sawada I became curious about her early works which I haven’t seen yet. Katsuya Ishida the owner of MEM gallery had been so kind to send me three of her early works currently exhibited at his gallery. The early works, done while Sawada was still a student at the Seian College of Art and Design, seem to be more playful than her later conceptual series, but they are already very strong in my opinion.

Tomoko Sawada: «Doll 1», 1996

Tomoko Sawada: «EarlyDays 15», 1997

Tomoko Sawada: «Early Days 26», 1997

PS: For visitors of Osaka MEM gallery is definitely a place to go. IMHO it’s one of the best photo galleries in Kansai

Tomoko Sawada at KPO Kirin Plaza and MEM, Osaka

This is my second post about Tomoko Sawada about whom I wrote two years ago already. Currently she has two exhibitions at KPO Gallery at Kirin PlazaKirin Plaza itself is worth a visit. The building – which gives the impression of a huge sculpture – by the architect Shin Takamtsu is a landmark building in Osaka. Scenes from the movie “Black Rain” were filmed at Kirin Plaza and at MEM gallery in Osaka (until Sept. 3).

“Masquerade” at KPO shows Tomoko Sawada in the guise of a few hundred different self-created identities. The exhibition includes the series “OMIAI” (2001), “Cover/Face” (2002) and “Recruit” (2006). A new book by Sawada with the title of the exhibition “Masquerade” is due to be published soon. In conjunction with the exhibition at Kirin Plaza, MEM gallery exhibits “Early Works” from 1996/97 which have not been shown to the public before.

A review in the Japan Times pointed me to the exhibition at KPO.Just as a side note: The Japan Times is the only English language newspaper in Japan which carries regular exhibitions reviews on Western and Japanese arts. But the lack of reviews/discussions on modern and contemporary art is not limited to English newspapers. It seems that the Japanese art world – in contrary to Europe and the USA – is quite isolated from the public discourse, since for example the Japanese newspapers don’t carry feature pages on art neither. By the way: the observation that the contemporary art world is isolated from the mainstream of the Japanese society is one pillar of Takashi Murakami’s controversially discussed “Superflat” art theory.

“All of them are me,” she said in a 2004 interview with NY Arts Magazine, “I don’t try to be someone else.”
That being so, her body of work is a phantasmagoric play of self-imaging that is volatile and restless in the infinite adjustments of pose, clothing, hair and makeup.

Tomoko Sawada «Omiai», 2001
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Rinko Kawauchi: Interview at PingMag/ exhibition in Milan

10 questions to Rinko Kawauchi about photography
Recently I wrote a short notice about Rinko Kawauchi’s latest publication “Rinko Diary“. For those who want to read a little bit more about her work, the online magazine PingMag from Tokyo has an interesting interview with Rinko on occasion of her recent exhibition at Photographer’s Gallery, London.

Kawauchi_Books.jpg

Rinko Kawauchi, one of Japan’s most popular female photographers today, created a sensation across the contemporary photography world in 2001 when she simultaneously released three critically acclaimed photography books: Utatane, Hanabi and Hanako and won the 27th Kimura Ihei Photography Award. Rinko’s publications have continued to amaze the photography world with three more books: Aila, the eyes the ears and Cuicui. She won not only the hearts of the young generation in Japan, but Rinko Kawauchi is said do be the next upcoming photographer – even in London. Being a great fan of Rinko’s work, I jumped on the opportunity to talk to her during her exhibition at the Photographers’ Gallery in London
[Quote: PingMag]

Rinko Kawauchi: The eyes, the ears, 2005 - cover photo

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Yonosuke Natori and Nippon Studio, Kawasaki City Museum

If you happen to be in Tokyo area I would highly recommend a side trip to the Kawaski City Museum to see the exhibition about “Yônosuke Natori and Nippon Studio (1931-1945)”The English translation of the Japanese exhibition title (on the exhibition poster or at Tokyo Art Beat for example) is only half done. The full English translation would be “Yônosuke Natori and Japan Studio”. (until Sept. 3).

Yonosuke Natori and Nippon Kobo

Yônosuke Natori (1910-62) was a professional photographer, founder of “Nippon Studio” (“Nippon Kôbô” in Japanese) and publisher of the international, multilanguage magazine “Nippon” (Japan). With his studio and the magazine Yonosuke Natori introduced to Japan cutting-edge photographic techniques and design that he studied in Germany.1

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Notes

  1. ↑1 As far as I know there is not much information available on Natori outside Japan. There is some basic information published on Natori, his studio and “Nippon” in The History of Japanese Photography.