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	<title>Comments on: Mikiko Hara</title>
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	<link>http://japan-photo.info/blog/2007/10/18/mikiko-hara/</link>
	<description>A blog about Japanese photography, seen from abroad  :-)</description>
	<pubDate>Sat, 05 Jul 2008 17:30:33 +0000</pubDate>
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		<title>By: what says</title>
		<link>http://japan-photo.info/blog/2007/10/18/mikiko-hara/#comment-7183</link>
		<dc:creator>what says</dc:creator>
		<pubDate>Sun, 02 Mar 2008 13:26:28 +0000</pubDate>
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		<description>does she have to put every person in the center?</description>
		<content:encoded><![CDATA[<p>does she have to put every person in the center?</p>
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		<title>By: what says</title>
		<link>http://japan-photo.info/blog/2007/10/18/mikiko-hara/#comment-7182</link>
		<dc:creator>what says</dc:creator>
		<pubDate>Sun, 02 Mar 2008 13:25:33 +0000</pubDate>
		<guid isPermaLink="false">http://japan-photo.info/blog/2007/10/18/mikiko-hara/#comment-7182</guid>
		<description>aren't these pictures a lot a bit obvious? william eggleston says:
I am afraid that there are more people than I can imagine who can go no further than appreciating a picture that is a rectangle with an object in the middle of it, which they can identify. They don't care what is around the object as long as nothing interferes with the object itself, right in the centre. Even after the lessons of Winogrand and Friedlander, they don't get it. They respect their work because they are told by respectable institutions that they are important artists, but what they really want to see is a picture with a figure or an object in the middle of it. They want something obvious. The blindness is apparent when someone lets slip the word 'snapshot'. Ignorance can always be covered by 'snapshot'. The word has never had any meaning. I am at war with the obvious.</description>
		<content:encoded><![CDATA[<p>aren&#8217;t these pictures a lot a bit obvious? william eggleston says:<br />
I am afraid that there are more people than I can imagine who can go no further than appreciating a picture that is a rectangle with an object in the middle of it, which they can identify. They don&#8217;t care what is around the object as long as nothing interferes with the object itself, right in the centre. Even after the lessons of Winogrand and Friedlander, they don&#8217;t get it. They respect their work because they are told by respectable institutions that they are important artists, but what they really want to see is a picture with a figure or an object in the middle of it. They want something obvious. The blindness is apparent when someone lets slip the word &#8217;snapshot&#8217;. Ignorance can always be covered by &#8217;snapshot&#8217;. The word has never had any meaning. I am at war with the obvious.</p>
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	<item>
		<title>By: okinawa</title>
		<link>http://japan-photo.info/blog/2007/10/18/mikiko-hara/#comment-6995</link>
		<dc:creator>okinawa</dc:creator>
		<pubDate>Mon, 22 Oct 2007 00:03:14 +0000</pubDate>
		<guid isPermaLink="false">http://japan-photo.info/blog/2007/10/18/mikiko-hara/#comment-6995</guid>
		<description>Wow, those are wonderful images. Very telling!</description>
		<content:encoded><![CDATA[<p>Wow, those are wonderful images. Very telling!</p>
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		<title>By: www.bestdigitalphotography.info &#187; Mikiko Hara</title>
		<link>http://japan-photo.info/blog/2007/10/18/mikiko-hara/#comment-6988</link>
		<dc:creator>www.bestdigitalphotography.info &#187; Mikiko Hara</dc:creator>
		<pubDate>Thu, 18 Oct 2007 12:42:21 +0000</pubDate>
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		<description>[...] Ferdinand Brueggemann wrote a fantastic post today on &#8220;Mikiko Hara&#8221;Here&#8217;s ONLY a quick extractWhen I went to Japan in the second half of the 1990s for to research Modern Japanese photography I was fortunate to meet the photographer Eiji Ina who introduced me to the contemporary photography scene in Tokyo. &#8230; [...]</description>
		<content:encoded><![CDATA[<p>[...] Ferdinand Brueggemann wrote a fantastic post today on &#8220;Mikiko Hara&#8221;Here&#8217;s ONLY a quick extractWhen I went to Japan in the second half of the 1990s for to research Modern Japanese photography I was fortunate to meet the photographer Eiji Ina who introduced me to the contemporary photography scene in Tokyo. &#8230; [...]</p>
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