Archives for posts with tag: Kikuji Kawada

Books on Photography Books

In the last years the interest in Japanese photography books has jumped from non recognition to becoming a must have not only for specialized photo book collectors. Books which were completely unknown outside Japan except to a few well informed collectors and researchers are now sold at high prices by rare book dealers and at auctions.1

It all began in 1999 with the exhibition catalogue “Fotografia Publica. Photography in Print 1919-1939″. Read the rest of this entry »

Notes

  1. ↑1 The latest and most spectacular rare photobook auction was a few months ago at Christie’s in London. I know it is a little bit late, but nevertheless I will write a short report about the auction results in another post – after I have received the auction catalogue which I had to buy from a auction catalogue dealer in the US, since the catalogue was sold out weeks before the auction started….

Kikuji Kawada: Insect on Window, Tokyo 1997 - from: Car Maniac

The current exhibition of Kikuji Kawada’s works from the 1950s/60s I just wrote about reminded me of his more recent works I hold in high esteem: the series “Car Maniac”. I have seen these works for the first time at the Internationale Phototage Herten (Germany) in 1999.
The series was also included in Kawada’s solo exhibition “Theatrum Mundi” at the Tokyo Metropolitan Museum of Photography in 2003 and Kawada published it in his extremely beautiful (and today rare book) “The Globe Theater” in 1998.

Kikuji Kawada: The Flow of Cars, Paris 1997 - from: Car Maniac

I found the images from “Car Maniac” in the web at Nikon Web Gallery with an explanation by the artist:

Car Maniac

If one can find true form of an image in a photograph, whether it was made through chemical process or digital operation, the image is original and futuristic. In these photographs, unconscious time, like biological clock, that is unique to photographs must exist and new languages must be buried. There is unexpectedness in images, and the more variations in the moments there are, the more scenes that give you vast imagination you have. I try to photograph cocktail of time that is different from time in movies or in literature.

Progress of machine and electronic technology aims at the ultimate that is beyond human brains, therefore imagination in photography also needs to be changing. However it is, we need to keep finding new and active images. Like Archimedes or Edgar Allan Poe, it would be great if I could say “Eureka = I found it”. In time flowing within photographs, there is imagination to find a sign. The time is also flowing in compound and multi-layered rich multigraphs. I believe such a banquet of images is what the future photography should be. All pieces here are part of a series titled “Car Maniac” that I have been working on since 2001.
Kikuji Kawada

PS: the date for the series in this text is wrong, but it is a little bit unclear when he actually began it. His book “The Globe Theater” lists works from 1991-1998. The catalogue to last years exhibition “Theatrum Mundi” in Tokyo mentions 1997 [p. 67].

Kikuji Kawada: Man Machine, Roppongi/Tokyo 1997 - from: Car Maniac

Kikuji Kawada: The Japanese National Flag, Shinjuku, Tokyo - from The Map Series 1959-65

Kikuji Kawada “The Map 1960-1965″ at Photo Gallery International.
IMHO this exhibition is a must see if you happen to be in Tokyo until Feb. 10.
Except in publications I have not seen his legendary book “The Map” yet, but it seems to be one of the most impressive photography books of the 20s century…

Kawada’s first photo-book “The Map” published in 1965, was received with sensational surprise, and gave him a decisive reputation. The book impressed the viewers with stimulus images through their eyes, by repeating visual exposures of the stains on the basement ceiling of Atomic Bomb Dome, and other symbolic objects that associate with the memory of World War II.

The photographic prints of The Map were introduced first in 1961 at Fuji Photo Salon, Tokyo, before the book was produced, and then in an exhibition, New Japanese Photography, held at Museum of Modern Art, New York in 1974. They have been shown also at such exhibitions as “Japon des Avant-Gardes 1910 – 1970″ (Centre Georges Pompidou, Paris, 1986), “Beyond Japan: A Photo Theatre” (Barbican Art Gallery, London, 1991), and recently “Theatrium Mundi” (Tokyo Metropolitan Museum of Photography, 2003).

The selected platinum palladium prints around 30 images from The Map including images of stains all over the Dome ceiling is exhibiting this time. The images of these stains, left by people perished in the Dome, are the core of the construction of The Map. It is for the first time that the original prints of The Map is exhibited. These prints create the new world of The Map which is completed as the final version of The Map.

The exhibition will be linked up with the new photo-book version of The Map, now under production by Getsuyo-sha publishing company.

Kikuji Kawada: The A-Bomb Dome, the Sun - from The Map Series 1959-65

Kijiku Kawada Profile
Born in Ibaraki Prefecture, 1933. Graduated from the Department of Economics, Rikkyo University, 1955. Staff photographer, Shincho-sha, 1955-1959. Organized “VIVO” photographers agency with E.Hosoe, S.Tomatsu, I.Narahara, and others, 1959. Annual Award, The Photographic Society of Japan (1996); Domestic Artist Prize, Higashikawa Award, Higashikawa International Photography Festival (1996); Minister of Education’s Art Encouragement Prize (2004) Kawada had one-person exhibition “Kikuji Kawada: Theatrum Mundi” at the Tokyo Metropolitan Museum of Photography, Tokyo (2003), and his works are exhibiting at many group exhibitions at the major museums in the world.
(quotes from P.G.I.)

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