Yutaka Takanashi – Towards the City (including a short history of the “Provoke” era), Part I

In the past years I have been involved in introducing the photographic work of Yutaka Takanashi to the West. In 2009 I wrote an essay on Yutaka Takanashi:”Takanashi’s Magnetic Storm” for the first Western monograph on the artist: “Yutaka Takanashi. Photography 1965-74″.

In 2012 the Fondation Henri Cartier-Bresson held the first Yutaka Takanashi museum exhibition outside Japan. On this occasion I contributed an essay “Towards the City” to the catalogue to the show.1)Essay: “Towards the City” [French/English]. in: Yutaka Takanashi, published by Éditorial RM, Mexico City and Toluca Éditions, Paris.  Published on occasion of the exhibition Yutaka Takanashi, Fondation Henri Cartier-Bresson, Paris, May 10 – July 29, 2012  In this text I wrote about Takanashi’s series Toshi-e as well as about his subsequent series Machi (Town) and the (unpublished) series on bars in Shinjuku, Tokyo.
And since  Yutaka Takanashi was the co-founder of the legendary Provoke group I added a short history of the Provoke era.2)A detailed description of the history of the Provoke era isn’t available outside Japan yet…

Yutaka Takanashi, published by Éditorial RM, Mexico City & Toluca Éditions, Paris

Yutaka Takanashi, published by Éditorial RM, Mexico City & Toluca Éditions, Paris

[Part 2, part 3 and part 4]

 

Tokyo

The metropolis of Tokyo is the central theme of 20th century Japanese photography – from the artistic elevation of the city in pictorial images in the early days of the century to the dynamic representation of architecture and urban life based on the “new photography” (a literal translation of the Japanese “shinko shashin”) to the photographic documentation of destruction and reconstruction in the post-war period. In all of its facets, the city of Tokyo reflects the radical change that Japan underwent on its way to becoming an industrial society; it is a breeding ground for social change that also symbolises the collision of tradition and modernity.

Masao Horino: The Character of Greater Tokyo. Art Direction: Takao Itagaki, Chuokoron magazine, Chuokoron-sha October, 1931

Masao Horino: The Character of Greater Tokyo. Art Direction: Takao Itagaki, Chuokoron magazine, Chuokoron-sha October, 1931

Continue reading →

References   [ + ]

1. Essay: “Towards the City” [French/English]. in: Yutaka Takanashi, published by Éditorial RM, Mexico City and Toluca Éditions, Paris.  Published on occasion of the exhibition Yutaka Takanashi, Fondation Henri Cartier-Bresson, Paris, May 10 – July 29, 2012
2. A detailed description of the history of the Provoke era isn’t available outside Japan yet…

Yonosuke Natori and Nippon Studio, Kawasaki City Museum

If you happen to be in Tokyo area I would highly recommend a side trip to the Kawaski City Museum to see the exhibition about “Yônosuke Natori and Nippon Studio (1931-1945)”The English translation of the Japanese exhibition title (on the exhibition poster or at Tokyo Art Beat for example) is only half done. The full English translation would be “Yônosuke Natori and Japan Studio”. (until Sept. 3).

Yonosuke Natori and Nippon Kobo

Yônosuke Natori (1910-62) was a professional photographer, founder of “Nippon Studio” (“Nippon Kôbô” in Japanese) and publisher of the international, multilanguage magazine “Nippon” (Japan). With his studio and the magazine Yonosuke Natori introduced to Japan cutting-edge photographic techniques and design that he studied in Germany.1)As far as I know there is not much information available on Natori outside Japan. There is some basic information published on Natori, his studio and “Nippon” in The History of Japanese Photography.

Continue reading →

References   [ + ]

1. As far as I know there is not much information available on Natori outside Japan. There is some basic information published on Natori, his studio and “Nippon” in The History of Japanese Photography.